Artwork by Carrie Mae Weems (detail)

December 4, 2020 - May 28, 2021

Girls' Club Warehouse presents, Necessary Trouble: Civil Rights Era Photography and Contemporary Art from the Collection.

Necessary Trouble brings together documentary photography from the Civil Rights Era with contemporary painting, drawing, sculpture and photography from the collection of Francie Bishop Good and David Horvitz.

Works by photographers Bob Adelman, Bruce Davidson, Elliott Erwitt, Leonard Freed, Danny Lyon, Steve Schapiro, Stephen Somerstein, Burk Uzzle and Ernest Withers; and artists Layla Ali, Jackie Nickerson, Onajide Shabaka, Carrie Mae Weems, Shoshanna Weinberger and Paula Wilson.

at Girls' Club Warehouse
723 NE 2 Avenue, Fort Lauderdale, FL

Open hours: Friday, 1-5pm and by appointment


Opening Day, Friday, December 4, 1-5pm

Join us for the opening of our new exhibit at Girls' Club Warehouse. Gallery hours are Friday, 1-5pm, and other times by appointment. Parking is available on NE 2 Avenue and Flagler Avenue. There is no cost for admission. Masks must be worn the entire visit.

Curator Brunch, Saturday, December 5, 10am-Noon

Join us for a casual take-away brunch to celebrate the opening of Necessary Trouble: Civil Rights Era Photography and Contemporary Art from the Collection and Miami Art Week.

Collector Talk, Tuesday, March 23, Noon-1pm

Hear directly from Girls’ Club co-founder and collector David Horvitz, in conversation with Girls’ Club director Sarah Michelle Rupert, in the online collector talk event. Discussion will revolve around Horvitz's passion for Civil Rights Era photography, the inspiration for this focus, and how he and Francie Bishop Good support and invest in education, culture and other initiatives that focus on women and communities of color.

Discussion to be 30-40 mins, followed by Q&A.


Civil rights era photographers helped change the world. Their unflinching portraits of non-violent demonstrations, sit-ins, marches, activists, and leaders illustrated a nearly century-long struggle to combat Jim Crow laws and an institutionalized system of segregation, suppression, violence and racism towards Black Americans.

Their photographs shed a spotlight on the racial inequalities inherent in the United States at the time, and helped push the debate for Civil Rights to the forefront of the national conversation.

From an intimate perspective, these black and white photographs propelled a moral reckoning and helped bring on a sea of change culminating in the signing of the Civil Rights Act in 1964.

In Necessary Trouble, these photographs are shown alongside contemporary art, inspiring new conversations and new interpretations between the generations.

The exhibition features contemporary painting and mixed media from Chicago-born, New Mexico-based Paula J Wilson and Miami artist and cultural practitioner Onajide Shabaka; painting from Layla Ali and Shoshanna Weinberger; photography from iconic multiple-disciplinary artist Carrie Mae Weems, and American-born British artist Jackie Nickerson.

All works are part of the Good/Horvitz Collection. Founded in 2006, Girls' Club was created by Francie Bishop Good and David Horvitz with a mission to educate the public, act as a resource and nurture the careers of contemporary female artists.



"To each and every one of you, especially you young people ... go out there, speak up, speak out. Get in the way. Get in good trouble, necessary trouble, and help redeem the soul of America"

- Representative John Lewis


Civil Rights Era Resources

Layla Ali

Laylah Ali was born in Buffalo, New York, in 1968, and lives and works in Williamstown, Massachusetts. She received a BA from Williams College and an MFA from Washington University in St. Louis, Missouri. The precision with which Ali creates her small, figurative, gouache paintings on paper is such that it takes her many months to complete a single work. She meticulously plots out every aspect of her work in advance, from subject matter to choice of color and the brushes that she will use.

Jackie Nickerson

Nickerson is an American born British artist who lives and works between London and rural Ireland. Her work is held in many important private and public collections and has been exhibited in venues which include the Santa Barbara Museum of Art; Museum of Modern Art, Salzburg; Palais des Beaux-Arts, Brussels; National Portrait Gallery, London; Mudam Musee d’Art Moderne, Luxembourg; Irish Museum of Modern Art, Dublin; Nerman Museum of Contemporary Art, Kansas; Sunderland Museum, UK; Harn Museum, Gainesville; Vatican Museums, Rome; Benaki Museum, Athens Irish Museum of Modern Art, Dublin.

Onajide Shabaka

Onajide Shabaka has lived in California and Florida where his art practice is connected through historical/biographical themes related to geography that include African diaspora and Native American cultures. Using ethnobotany and the performative as aesthetic vehicles for making those references, its historical reconstruction, his art practice comes into being through the complex effects of institutions, histories, and human experiences. Additionally, Shabaka’s writing and curatorial practice focuses largely on contemporary art and culture, and subject specific research.

Carrie Mae Weems

Considered one of the most influential contemporary American artists, Carrie Mae Weems has investigated family relationships, cultural identity, sexism, class, political systems, and the consequences of power. Determined as ever to enter the picture—both literally and metaphorically—Weems has sustained an on-going dialogue within contemporary discourse for over thirty years. During this time, Carrie Mae Weems has developed a complex body of art employing photographs, text, fabric, audio, digital images, installation, and video.

Shoshanna Weinberger

Born in Kingston, Jamaica, Shoshanna Weinberger received her BFA from The School of the Art Institute of Chicago in 1995 and MFA from Yale School of Art in 2003. Living and working in Newark, NJ since 2006, Weinberger explores the standards and consequential implications and experiences of racial identity and external perception or imposition of racial categorization. Much of Weinberger’s work is rooted in an exploration of her Caribbean-American heritage. It draws strongly on the complexity of heritage and assumed norms. Referencing her own adolescent memory and our current xenophobic zeitgeist, Weinberger renders her female muses along a spectrum of character types. Some are excessive, sexualized, and quirky; while others are passive, or dominant, a culmination of figures that ultimately question standards and the psychology of beauty and identity.

Paula J. Wilson

Mixed-media artist Paula Wilson enlists an extensive range of techniques to create her hybrid works. Using sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblock, Wilson explores perceptions of light, form, and the body in space. Various textures and vibrant colors are layered in collaged pieces, such as Tomorrow’s Tomorrow (2008), where a vase of flowers lit by a stained glass window is constructed on a piece of paper through oil, spray paint, and collaged, inlayed woodblock prints. Equally multifaceted as her densely layered collages is her subject matter and vast expanse of inspirations, drawn from cultural histories, identities, and an exploration of various female personas.

Featured image: Carrie Mae Weems, Untitled (detail), 2008