Arts writer Anne Tschida discusses the last hold out of literary digitization in her review of Girls’ Club’s first self-published book and exhibition catalog, Frances Trombly: Paintings, on the Knight Foundation blog.
Read it here.
Girls’ Club Creative Director responds to works by New York painter Suzanne McClelland that in a mid-career retrospective exhibition at the Orlando Museum of Art. McClelland’s work was included in the Girls’ Club exhibition Under the Influence.
Read the text here.
A companion essay to the Girls’ Club exhibition Under the Influence by Girls’ Club Creative Director Michelle Weinberg.
Read it here.
“Friends and colleagues who really know me can tell you that for many years my principal mantra has been a single word, “collaboration.”
So begins Hollywood Art and Culture Center curator and artworld polymath Jane Hart’s narrative, written on the occasion of her co-curating Girls’ Club’s exhibition Under the Influence. Read the rest
Miami’s own Elisa Turner, former art critic for The Miami Herald, currently blogging for ArtCircuits.com, contributed this essay for Girls’ Club exhibition Under the Influence. In her article, she ties together strides made by women in politics, art, fashion and her personal life.
A Fabulous and Frightful Crossroads
On the occasion of Girls’ Club exhibition Under the Influence, Claire Breukel, formerly Director of Locust Projects alternative space in Miami, interviewed artists Frances Trombly, Kerry Phillips and Elisabeth Condon, whose work is included in the exhibition – read their remarks, compiled in a round robin fashion and combined into one document with illustrations.
